2 edition of G.B. Bodoni"s preface to the Manuale tipografico of 1818 found in the catalog.
G.B. Bodoni"s preface to the Manuale tipografico of 1818
One of a limited edition of 310 copies.
|Statement||now first translated into English, with an introduction by H.V. Marrot.|
|Contributions||Marrot, H. V.|
The Kings buccaneer
The three flashing lights
Amorphous semiconductor technology
Young Americans speaker
Earn your worth
Afkar tubawiyah fi al-dimuqratiyah wa-al-hurriyah
Fifteen sermons, designed for the use of those, who have but little time or inclination to read longer discourses
Jacob K. Javits Gifted and Talented Students Education Program
Love or honour
Harlequin Novelty, and the princess who lost her heart
Get this from a library. G.B. Bodoni's preface to the Manuale tipografico of [Giambattista Bodoni; H V Marrot; Curwen Press,]. Giambattista Bodoni of Parma by T. M Cleland (Book) Compendiosa bibliografia di edizioni Bodoniane by Hugh Cecil Brooks (Book) Vita del cavaliere Giambattista Bodoni tipografo italiano e catalogo cronologico delle sue edizioni: tomo I[-tomo II] by Giuseppe De Lama (Book).
Editions of the Manuale tipografico One good reason for buying, or at least consulting, a printed edition of the Manuale tipografico is to compare currently available Bodonis to Bodoni’s best-known faces as shown in his own book.
This is interesting in itself, and will also refute an assertion commonly made in defense of Bodoni’s designs. Venturi, Sulla vita del cav. Bodoni, sul Catalogo delle sue edizioni e Manuale tipografico del medesimo, in «Biblioteca italiana», X,pp.
Versienti, Il conte Carlo Castone della Torre di Rezzonico: un viaggiatore e critico d’arte nell’Europa della seconda metà del ’, in «Bollettino del Museo Bodoniano. He was influenced by Fournier and Firmin Didot.
All images of the book are here. ⦿ Manuale Tipografico: (partial) [Giambattista Bodoni] InGiambattista Bodoni published his masterpiece, the Manuale Tipografico (look at it here), which contained alphabets, and was full of ornaments and borders.
In5 years after his. G.B. Bodonis preface to the Manuale tipografico ofnow first translated into English with an introduction by H.V. Marrot. London, Reimpresso: Londres, [A reprinting of the second, revised edition of Glaister's Glossary of the Book (; pp.; first published as Glossary of the Book, ), with Glaister's second edition preface of Of special note here is Farren's new introduction, with a good biographical account of Glaister and evaluation of.
Full text of "Printing types, their history, forms, and use: a study in survivals" See other formats. Katalog Aukt Teil 2 - Catalogue Auct Part 2.
This banner text can have markup. web; books; video; audio; software; images; Toggle navigation. The passage catches Christian’s righteous pride in his part in making these types ‘live again’, but it is unreliable in two respects. The text of Claudin’s book and its title page were in fact set wholly in the ‘Grandjean’ type (the romain du roi); only the brief Avant-propos and Preface were set in the ‘Garamond’ types.